Showing posts with label rome. Show all posts
Showing posts with label rome. Show all posts

Monday, 2 December 2013

A Cavalcade of Sculpted Lions

A lion roaring in Musei Capitolini.
The shimmering white landscape - what does it make you think about? Well, lions of course! More precisely, Aslan, the son of the Emperor-Over-the-Sea, the lord of Narnia, the great Lion himself. C. S. Lewis's The Lion, the Witch and the Wardrobe (1950) was one of my beloved childhood books and it inevitably belonged to the winter season. I'm not sure which came first: was Aslan fascinating because he is a lion, or are lions fascinating because of Aslan? In any case, I'm always spotting lions everywhere, along with other intriguing beasts such as dragons and gryphons. You may remember my previous posts about the study trip to Rome last spring. Indeed, I did take around 5,000 photos during those two hectic weeks, so not surprisingly I was able to capture a whole pride of lions while there. In this post I concentrate on the most presentable shots of sculptural art. A cavalcade of one-dimensional lions will follow soon.
A lion guarding the courtyard of Lateran cloister.
A black lion on the top of Corinthian column in the Lateran cloister yard.
Here is an interesting composition I don't recall seeing before. A lion holding Baby Jesus? The pair on the right (not shown in the photo) holds a lamb. The lion here could refer to the Lion of Judah, the symbol of the tribe Jesus originated from. The statues guard the entrance of Basilica di San Lorenzo fuori le Mura.
A nicely tarnished lion head on the lid of an antique sarcophagus, close to the entrance of  Basilica di San Lorenzo fuori le Mura.
A lion attending the holy Mass, Basilica di San Lorenzo fuori le Mura.
A lion relief in the staircase of Palazzo Barberini.
A lion relief outside Basilica di Santa Maria in Trastevere.
A clumb of lions in Musei Capitolini.
A great lion lying in Musei Capitolini.
A hook-nosed lion on an antique sarcophagus, Musei Capitolini.
A majestic lion in black marble, Musei Vaticani.
A lion with very conscious eyes. Note also the lion shaped table feet on the back. Musei Vaticani.
An intricate lion head on an antique sarcophagus, Musei Vaticani.
A lion attacking a wild boar. A fragment of sarcophagus (AD end of the 3rd century), Musei Vaticani.
Daniel in the lions' den. On the left you see Habakkuk bringing him food. The lions look rather obedient. A detail of so called Sarcophagus of Two Brothers (AD 325-350), Musei Vaticani.

Friday, 28 June 2013

Cats of Rome

Historically layered, Rome offers many nice surroundings for cats. In Forum Romanum and other ancient locations, many cats enjoyed taking naps in the holes of ruins. Their lazy look was rather concealing as they all became active before I had my camera ready. This one I encountered in the Communal Monumental Cemetery of Campo Verano. It’s a gorgeous graveyard; I should share some other photos of the place too.
Places like Largo di Torre Argentina are like reservations for cats. This ancient area is situated in the center of Rome; it’s fenced and never open for visitors. Famous for its temples and the supposed assassination stage of Julius Caesar, it’s now a kingdom of cats. It was funny to spot all those lazing felines. I think I can see at least one in this picture – can you?
A wanderer in Via Appia.
Outside the Etruscan nekropolis of Cerveteri, there were many curious cuties.
And one grumpy one.
Why do fat cats look like they could talk but they are too lazy to?
Yezzz, I'm the guardian of this cemetery. Need something?

Friday, 14 June 2013

Villa Lante al Gianicolo

I promised to present you the Renaissance villa where I had the honor to live during our Rome expedition. So... here it comes, a story about Villa Lante!

Villa Lante was originally constructed by Baldassarre Turini (1481-1543), the datary of Pope Leo X (pontifical years 1513-1521). Turini was suffering from the heat of the town, and decided to build a villa on the lush Janiculum hill full of vineyards. The architect was Turini's close friend Giulio Romano (1499-1546), the student of Raphael (1483-1520). Painting was performed by other Italian artists belonging to the same school: Vincenzo Tamagni da San Gimignano (1492–1530), Polidoro da Caravaggio (1499–1543) and Maturino da Firenze (1490–1528). The construction work was started in the late 1510's and the villa was finished in 1531. Later after Turini's death, his nephew rent the villa for the French cardinal, Ambassador Georges d'Armagnac (1501-1585). In 1551 the villa was bought by Lante family, who didn't sell it onward until in the beginning of 19th century. For a period of time, the villa belonged to Prince Camillo Borghese (1775-1832), the brother-in-law of Napoleon Bonaparte (1769-1821). The Borgheses reformed the interior of villa to more fashionable neoclassical look. In year 1837 the Borgheses sold the villa to the founder of the Society of the Sacred Heart of Jesus, Madeleine Sophie Barat (1779-1865), who was later canonized. The villa was used as the halls of residence for nun novices. Later the society started to lease the villa. German archeologist Wolfgang Helbig (1839–1915) and his wife, Russian princess and pianist Nadine Schakowskoy (1847-1922) rented the villa in 1887. During their reign, the villa became one of the best known salons in Rome. Many famous visitors such as aristocrats, musicians and scholars gathered there. Helbigs' son, chemist and general Demetrio Helbig (1873–1954) bought the villa from the nuns in 1909. In the year 1946 he started to lease the upstairs for Göran Stenius (1909-2000), who was the chargé d'affaires of the Finnish Embassy to the Holy See. Amos Anderson (1878-1961), who was both a wealthy Finnish businessman and a generous patron, had already founded Institutum Romanum Finlandiae in 1938 and the institute was looking for a residence in Rome. Later in 1940's, Stenius informed that the old general was willing to sell the villa for the Finns with a very affordable price. With Anderson's funds, the state of Finland bought the villa in 1950 to be used by the institute. During the time, the villa was in very bad condition and it needed an in-depth renovation. Let's take a look to Villa Lante's reception rooms. The plaster reliefs are neoclassical, they were created by the famous Italian sculptor Antonio Canova (1757-1822) and were mounted here in the beginning of 19th century. When the salone was restored 1974, part of the wall was left in the neoclassical style and part of the original, marble imitating painting was dug up. On the other wall you can see a huge painting. It's Historia d'Italia by famous French artist Valentin de Boulogne (1591-1632). On the back you can notice a small fortepiano. It was a gift for Nadine Helbig - from no one else than the great piano virtuoso, Hungarian composer Franz Liszt (1811-1886) himself. In the centrum of the ceiling there is the massive coat of arms of Pope Paul V (pontifical years 1605-1621), who belonged to Borghese family. The eagle and the dragon are the insignias of Borghese. Above them are the papal tiara and the crossed keys of Saint Peter, the insignias of pontificate. In the next photo you can see red framed ovals. They are the emblems of Turini and Pope Clement VII (pontifical years 1523-1534). I liked their enigmatic look a lot. Somewhere in the future I must write a post dedicated to emblems! Do you see the empty white slots in the ceiling? There were originally frescos, which were removed and sold separately when the Borgheses sold Villa Lante in 1837. Eventually those frescos were bought to Palazzo Zuccari, which has been the home of Bibliotheca Hertziana, Max Planck Institute for Art History since 1912. We had the honor to visit the institute and see the frescos now mounted to a ceiling with a bit different shape as you can see in the photo above. This fresco depicts the finding of the grave of Numa Pompilius (753–673 BC), the legendary second king of Rome. His burial place was believed to be located on the Janiculum hill. On the background, you can see Villa Lante. In the side rooms of Villa Lante, the the ceilings are also decorated. The big coat of arms belongs to Cardinal Marcello Lante della Rovere (1561-1652), the Bishop of Todi. Three white eagles are the insignia of the Lante family. The red ecclesiastical hat, galore, is the sign of cardinals. The symmetrical and ornate grotesque paintings depict mythical characters, flowers and animals. They were inspired by paintings found from ancient Roman houses buried in fill and became underground like caves, grotto - hence the name grotesque, so typical for the school of Raphael. In another room one can see how furiously the nuns tried to scrape away paintings they considered inappropriate for the halls of residence of nun novices. Some characters are long gone, only ghosts are left. Destroying probably turned out to be too time consuming, and they eventually painted over the whole frescos. In the middle you can see a portrait, which is believed to depict Raphael. The date on the wall of loggia indicates the time when the villa was finished. The columns in the loggia are from the classical era. It was rather common in Rome to transport useful building elements from ancient ruins. Nowadays the space is protected with windows. I have to mention the acoustics are brilliant. In our last meeting one of the participants performed us an amazing aria from Puccini - wow, that gave me goosebumps! One the most striking aspects of Villa Lante is no doubt the location. The villa is facing towards the east and from the roof terrace it looks like the whole of Rome opens in front of you. This is the place where we enjoyed our meals and we often wondered could one get bored with such an amazing view. The convent of nuns is still located below Villa Lante. You can see their garden in the photo. The convent building is quite hidden behind the trees. The big cross resembling building on the left is a prison. We could also take a look to the park next to the villa. Every night courting couples gathered there to enjoy the romantic view and (assumed) privacy. I got an attic room and this was the view from my window. Some runaway princess or black hooded courier really should have come to the gate during the midnight! I'm afraid I'm now on the other side of the gate. Next time I wish to visit Villa Lante I probably have to ring the doorbell during the visiting hours, which are by the way from 9 am to 12 am on every business day. If you got interested, the address is Passeggiata del Gianicolo 10 - it's very easy to get there by the bus number 115. Even if you wouldn't visit the villa, I greatly recommend the view from the top of the hill!

As the main sources for this article, I used the website of Institutum Romanum Finlandiae and the profound presentation we were given by the institute's intendant. If you are interested in all those exciting moments the villa has had during its Finnish reign, I recommend the excellent Finnish book Villa Lante. Suomen Rooman instituutti 1954-2004 (2004).

Friday, 3 May 2013

Ricordo di Roma


If my recollection is correct, I bought this charming little book several years ago from one well-established antiquarian bookstore famous for its holiday decoration with both real and fake human skulls accented with twinkling red electric lights. Little I knew these yellowed pages would eventually lead me to other old bones.
On this month, I’m participating on a university art expedition heading to the eternal city. Named Roma Obscura – Underneath Rome it will bring me and other nine students to the subterranean catacombs, Mithraic temples and the ancient tombs of the mysterious Etruscans. We will visit numerous churches and admire the sacred remains of various saints. Bone decorated Santa Maria della Concezione dei Cappuccini and the shelter of embalmed papal hearts, Santi Vincenzo e Anastasio a Trevi, are also on the list.
This book, Ricordo di Roma (Memory of Rome), features 32 black and white photos of old Rome. Among those attractions are places we are also going to experience like the Colosseum, Forum Romanum and Via Appia. There’s no publication date, but it’s from the early decades of the 20th century. I love the heraldic cover; it makes my mind wander away to the time of Italian city-states. The book has also a map. And what’s even more exciting, I can spot my residence there!
For my great excitement, I’m going to live two weeks of my life in a real renaissance villa built in the 16th century. Due to rather extraordinary episodes, Villa Lante al Gianicolo belongs now to Institutum Romanum Finlandiae, the Finnish Institute in Rome. It’s situated on the Janiculum (Gianicolo), the second tallest hill in Rome, and it’s very close to the monument of Garibaldi featured on the map. This small palace deserves its own post. Once I have settled there, I will share my impressions!